
The stances of each of the players is not exaggerated, so you might not notice unless you were studying each page; they all seem completely natural.
The other interesting thing about this page is the way the two top frames work together. The point of view in the first is from the corner of the ceiling. The second is shot from about shin level, so that both of them are full of diagonal lines. But the first is an overview of the whole scene; the second is focused intently on Steve and his thoughts. The lines on the ceiling guide our eyes to him. Everything stops at his round face in the center of the rectangle.
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