Friday, January 31, 2020


Here are some of Seth's drawings for Myst3: Exile.  Little sketches for places on the main island, or world.  Very Art Nouveau elegant.  I don't remember exactly if these got used or not; it's been a few years since I have played the game, and now the technology has changed and I can't get it to run.

Monday, July 22, 2019

It's Seth's Birthday today

I have probably posted all these before, but time goes by and it's nice to see some of the stuff we thought we knew all over again with new eyes.
Doom Patrol was not an Important Work, but it is endlessly creative, every page filled with interesting and amusing details, and beautiful layouts.  I get a kick out of it every time.  Even the pages that are only what in opera is called "recitativo"--the daily conversations that have to be shown in order for the big events to make sense--like this first page, are a delight to look at.  Seth did nothing in a commonplace way, as he had seen it done before.  No artist invents everything himself; they all stand on one another's shoulders, but Seth did not take for granted perspectives, layouts, how a particular emotion is depicted, or how a particular character needs to relate to his/her environment.  He started from scratch every time.

It's a lesson for anyone who wants to create.

Just another reason to say, "Thank you Seth." 

By the way, the kanji on Vic's T-shirt on the first page is "Heaven."

Wednesday, January 30, 2019

FloweringNose Day

We have come to celebrate this day:
It's a day to Draw, Paint, Carve, Sculpt, Sew, Knit, or use whatever is your preferred medium, or--maybe this is even better--to choose a new medium that you are uneasy about, to create Art.
It is a day to celebrate and encourage other artists to go beyond what is safe and easy, to do what their soul yearns for.
It is a day to take the necessary risks in order to get to the place you have seen in your heart.
It is a day to be grateful to Seth for having made the world a bigger and more joyful place than it was before.

Seth I love you.

Lucky little Tofu gets a pants ride!

Seth in high school

Sculpey creatures.  The one on the right is Seth's; I think Hisako did the other one.

in the arcade at Osu Kannon in Nagoya

Tuesday, July 24, 2018

Seth's Birthday, a couple of days late

You can tell which of these two grave markers is Seth's.
I spent Seth's actual birthday (Sunday the 22nd) at the abbey where he is buried.  I tidied up his grave & visited with him, which I can do anywhere, but there at the grave is the designated spot.  The cemetery is rather austere; all the graves have the same simple concrete cross and a plaque that tells his name and dates.  Hisako and Sarah and I couldn't leave Seth's grave QUITE so plain; it just wouldn't express Sethness that way.  So his particular spot is recognizable from far away by the brightly painted rocks on the arms and top of the cross.  Who knows what HE would have done, had he been available to put his mark on the site?  Now he has to rely on other people's response to his life, people who are not so wildly creative as he.  So we take our cues from him, but do it our way.

Since it IS (or rather it was just a couple of days ago) Seth's birthday, I thought it would be good to post a couple of images of his work that maybe had not been posted before--or at least not for a long time.  The joyful madness of these images just reaffirms the Life beneath the surface of his life.  May his joy keep resounding in the lives of those who love both his person and his work!
Big in Japan, issue 2 page 15

Big in Japan, issue 2 page 16

Big in Japan, issue 2 page 17

Tuesday, January 30, 2018

Flowering Nose Day--twelve years later

I have been contemplating Seth these past few days.  Someone asked me today if this was a hard day for me, and I had to tell her that it is not.  Seth inspired me: his art, his life, his life as art.  Seth refused fear.  Almost everyone has fears that run a greater or lesser portion of their lives: fear of what other people think; fear of death, fear of the unknown, fear of abandonment, fear of pain and suffering, fear of not being loved; name your own...  Seth was not naturally fearless, but he consciously refused to make decisions based on fear.  In some cases his decision to face down his fear added up to recklessness.  It is OK, for example to be afraid to walk on the edge of a rooftop at night in the rain without your glasses.
But he said that the one thing he did not want to say at the end of his life was, "I have missed out on opportunities because of fears."

Seth did not make his art to please other people, and sometimes it didn't.  When he was drawing an iconic figure such as Batman, he drew some images that outraged some fans.
Most especially this one...

...and this one

And some of the things he drew did not make it into the book: the editors took them out:

the little cartoony Batman and Alfred,
as well as the bunny on Alfred's head

Bats and butterflies

skulls with haloes circling about the head
of the deceased
For an artist, or anyone trying to live a life that has meaning, I believe it is essential to recognize the ways that we have kowtowed to people whose values we do not respect, to break away from that, and instead live our life, do our job, according to the brightest light that we see.
I may not have agreed with all of Seth's lights, but the fact that he followed them, and NOT his fears, NOT what Other People wanted is something that is in itself a light to me.

May something of that spirit be a guide to all of the people who love him, and who love him through his art.

Happy Flowering Nose Day!

Monday, August 7, 2017

Batman #194, page 3 -- Details

I am just about to take all my Batman pages to Seth's brother Asa who will curate and keep them in a much better way than I could do here.  I am glad for Asa to be in charge, but I will miss being able to thumb through them from time to time. However, others of Seth's family pass through Asa's studio more often than they do here, so it's better for everyone.

But as I was getting pages out to pack them up, I happened upon this one.  Not an exciting page, one that in opera would be called a "recitativo"--a passageway from one incident to another. But in Seth's oeuvre there are no throwaway images.

As an artist I have to confess that I hate perspective.  That is, I admire it, but I heartily dislike making all the little measurements that would make perspective true enough to make the picture come alive.  I don't mess with it if I can avoid it. Seth refused such squeamishness.  When he had a room to draw, he put all the objects in the room in correct size and from the correct angle. And the ceilings!  Sometime I would like to do a study of ceilings in Seth's work.  They are endlessly interesting, as they elaborate upon the kind of room where the action is taking place.  The ceiling in this room is parquet--as befits a dining room in Bruce Wayne's mansion--and we see it from two different vantage points (and almost a third one in the top left panel).  We see this room from one side, and then from the other.  Everything has been imagined: the kitchen from which Albert emerges with food, the breakfast table with much left uneaten, the two windows with their drapes, the buffet with its plate racks, lovely floors, and--because Seth is the artist--framed portraits on the walls of people with funny egg-like heads.   And a bunny that follows Albert wherever he goes in Seth's Batman world--the bunny got edited out from the official ones.

In any case it's a lovely page where not much is happening, but the ambience is the star.

Saturday, July 22, 2017

Seth's 45th Birthday

Twenty years ago--1997--Seth's third and last year of being the JET Program English teacher at the high schools in Oki Islands in Japan, he decided to make t-shirts to sell as a fundraiser.  I think he was raising funds for a two week summer program they did every year for students who wanted to raise their English language skills up to another level.
The images I am posting here are his roughs for that project, working up to the actual image. (Unfortunately I don't have an actual one of these T-shirts anymore.)  He sent me the image, and I did the color separation and found a printer to print the shirts for him here in San Diego. He picked them up when he came home during the summer, and took them back with him to Oki.
Summer at Japanese schools are not the time between grade levels.  Since the school year starts in April, summers are just time off for students and teachers while it is TOO hot to study.
Clearly this is a very preliminary drawing.
He had the idea of doing a pretty Japanese
girl in full dress, and was working out how
to make his mind's image effective.
This rough sketch shows that he originally
had the idea of giving her a mask; maybe
her exterior was more refined than her real
person (note the red nose).

This is his roughly inked rendition of the image he ended
up using.  

The final image.

The final image in color.  I think I painted this one, according to his specifications,
just to make sure the colors were right before I had 500 of them silkscreened.